Memorable Fashion Moments

Kate Moss in Alexander McQueen, 2006

SOME MEMORABLE FASHION MOMENTS  Throughout the years there have been noted moments that have defined fashion and the players within it. Whether these times have made you laugh, watch in intrigue, or shake your head in disgust, these are some of fashion’s memorable moments.

NAOMI’S FALL FROM GRACE  Naomi Campbell is one of the most famous models of our time. However, this 90′s icon has become recognized less for her grace and more for her antics. It was at Vivienne Westwood’s Fall 1993 show in Paris where the supermodel took quite the tumble down the runway while wearing skyscraper-high heels. This incident was relatively innocent compared to what happened just over a decade later. In 2006 Campbell was charged with second degree assault after throwing her cellphone at her housekeeper. That act alone would define the model many years afterwards.

THE GHOST OF KATE MOSS  At a time when supermodel Kate Moss was being dropped by almost every designer on Earth because of her cocaine habit, Alexander McQueen continued using her in his collections. It was McQueen’s fall 2006 collection, Widows of Culloden, when the designer changed the game of fashion. At the closing of his show Moss appeared as a hologram on stage, twisting and twirling slowly to tragically romantic music. It was one of the most visually appealing moments that fashion audiences have ever experienced.

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…the eye of the beholder.

 

Hailee Steinfeld, Lindsey Wixson, Elle Fanning

A frequent purveyor of fashion magazines, it never donned on me before. The focus for me was, of course, the clothes. But the more and more fashion editorials you thumb through, the better you are at identifying the models and clothes featured. So while looking over the pages of British Vogue, I remembered the model used in one of its editorials, Lindsay Wixson. “I remember her!” I said to myself, “she’s on the cover of style.com/print and wasn’t she the face of Prada at one point?”. Naturally, I looked up her credentials and was in sheer shock and awe when I learned of her age. 16. Yes, that’s right 16 years of age. The Prada print ads I was referring to, I saw last year. I remember my boyfriend had caught a glimpse and asked me if the model was a little girl. She might as well have been.

The aforementioned anecdote bears the question; why are children modelling clothes made for today’s woman? What do I mean by “today’s woman”? In the interest of this post, she is affluent, over 30 years of age, has a thriving career and gracefully balances her work and family life. She is not 16 years of age. Or 13 for that matter (yes I’m talking about Elle Fanning). Granted, Marc by Marc Jacobs is targeted to a younger generation, but not 13 years young! Doesn’t it just get your knickers in a knot? The world was up on arms, earlier this year, when French Vogue released a full-length editorial featuring a make-up donning, provocatively posed 10-year-old girl. The reasons behind the editorial? To make a statement against the fashion world’s beauty idealism? Perhaps.

It’s been famously written that “beauty is in the eye of the beholder”. Indeed it is. Regrettably, many look to society to shape their ideals of what beauty is (read: should be) – expectations become unfulfilled, travesty ensues, inno is lost. I would hope that in 2011, today’s woman has a healthy take on what beauty is or should be. I hope the same for their younger counterparts: today’s woman of the future.

Tell us, what do you think? Sound off below.

^AM

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racial diversity – part deux

American Vogue July 2008

Like my last post, I’d like to further pierce the surface of diversity in the fashion industry with regards to race.

The issue of lack of diversity with respect to race is a little more close to home for me as I am African-American. Growing up, the only model of colour I knew of was Naomi Campbell. Excuse me, supermodel, Naomi Campbell. All my fashion icons growing up were, well celebrities (I clearly didn’t know any better), and mostly of the caucasian persuasion. Back then I wasn’t privy to the, comparably larger, fashion icon pool of African-American women.

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body image – part deux

The June 2011 cover of Vogue Italia

This blog has touched diversity (physically and racially) in the fashion industry. In that post, I merely skimmed the surface of two issues still plaguing the industry today, societal perceptions on what is deemed beautiful and fashionable. Let’s revisit the stigma surrounding body image.

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The dreaded c-word…

Chanel 2.55

Yes, the “c-word” and its “f-bomb” counterpart. Maybe more so during a trip to New York or other budding fashion capitals, have these words crossed our minds or, heaven-forbid, our lips…

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Advertising ‘Objects’

In 2007, an American Apparel billboard was vandalized in New York City.  The billboard is of a topless woman wearing tight leggings, bending over, and facing away from the camera.  Her face is not visible, and the main focus of the advertisement is her nude upper body and her backside.  Spray painted in big bold letters to the left of the woman is “Gee, I wonder why women get raped”.  This act of vandalism promotes the idea that women who dress provocatively are a direct contributing factor to rape, and the fact that they are scantily dressed is seemingly used to justify their victimization.  This perception is an example of traditional feminist theory, and thus exhibits the differences in feminist and post-feminist perspectives through the art of advertising.

As Rosalind Gill, a post-feminist critic, states in one of her articles entitled, Beyond the Sexualization of Culture, “[a] crucial aspect of the shift from objectification to sexual subjectification is that this is framed in advertising through a discourse of playfulness, freedom and, above all, choice. Women are presented as not seeking men’s approval but as pleasing themselves, and, in so doing, they just happen to win men’s admiration”.  This is demonstrated within the example of American Apparel advertisements, as one could argue that the imagery and positioning of the women in the photos is a much more modern depiction of female empowerment and feminist thought.  Today, it seems that women impose feminine cultural norms on themselves instead of consistently seeking male approval, resulting in the constant scrutiny of the female body by both men and women.

Every year in Toronto and many other cities across North America, women and men speak out about this stereotyped and objectified “version” of the “real” female in the Slut Walk (www.slutwalktoronto.com). On January 24th, 2011, a representative of the Toronto Police gave shocking insight into the Force’s view of sexual assault by stating: “women should avoid dressing like sluts in order not to be victimized”. Upon hearing this police officer’s shameful (and ignorant) comments,  women and men from the city of Toronto organized the first annual “slut walk” by taking their frustration to the streets – literally. Marching through the downtown city streets of Toronto, crowds gathered to make their stance on this matter known with voices ready to be heard. The topic of objectification versus subjectification again arises when discussing women who dress in a stereoptypically “slutty” way. Are these women automatically objectified by society or do they subject themselves to the “male gaze”, choosing to dress and act a certain way in order to gain the attention of the opposite sex?

What do YOU think? Are women and models in advertisements today still objectified by men? Or are these women now subjects of their own sexuality? Are average women who get dressed up to go out with their girlfriends “sluts” and “asking for it” as a result of what they choose to wear? Where do we draw the line?

Photo Credits: Google Images

^BB

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365 layers of makeup

Dutch artist duo Lernert Engelberts & Sander Plug were curious about what a year’s worth of makeup would look like in one application, so they decided to create a video (titled ‘Natural Beauty’) where 365 layers of makeup was applied to a model.

Nine hours and a whopping 228.40 mL of makeup later, the model’s face looked far from beautiful, it was melted and almost deformed. In total, the duo used seven bottles of foundation, two bottles of eye cream, three lip pens, and two bottles of blush.

As an art, I think the concept behind the video holds significance by giving women an idea of how much makeup they consume in a year. However, the amount of makeup used usually varies person to person as well as occassion to occassion (I don’t know about about you, but I definitely don’t think I use seven bottles of foundation in a year!)

Technicalities aside, I do agree that women do rely a lot on makeup. Foundation, eyeshadow, lipstick, mascara, blush…sometimes used a bit too liberally. Makeup has the power of making people feel beautiful and increase self esteem but it can all alter and harm our skin significantly. According to greenlivingonline.com, some cosmetics can contain hormones disrupters and even carcinogens, which makes me think twice after watching this video…is it really worth it?

Why do you wear makeup? Is it to cover up what you think are imperfections? Or is it to enhance the natural beauty you already have? Let us know in the comments section!


Via The Toronto Star

^SK

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Spoiler Alert! First Designer Announcement!

This is BIG news guys…our FIRST designer announcement of the Spring/Summer 2012 Season!

Introducing Mr. Alexis Reyna! Alexis’ S/S 2011 collection, “unleashed” really speaks for itself….bold colours, amazing prints, painted bodies, spray painted hair, out of this world makeup….his runway shows are always a party and this season will be no exception! Check out my 4 favourite “lewks” from his S/S 2011 “Unleashed” collection below.

You can check out Alexis’ website and other collections here.

While the production details of Alexis’ show are being kept top secret I can let you in on this little ditty : never in my four years of working for OFW have I ever witnessed a production plan like this and our new venue is the PERFECT setting.

Get ready…because Alexis and the OFW crew are going to knock your socks off!

^CA

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Haute Couture – De rigeur? Or necessary evil?

A look from Richard Robinson Couture 2011

Question: What is the relevance of haute couture clothing in today’s society. A few fashion houses like, Chanel, Givenchy, Valentino, Christian Dior, Giambattista Valli and Jean Paul Gaultier (just to name a few) would all agree that haute couture is just as relevant today as it was in fashion’s past. Never one to deny the fashion gods I am, however, on the fence about this one.

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Censored androgyny

Recently, both Barnes & Noble and Borders bookstores decided to censor the cover of Dossier magazine. The cover featured androgynous male model, Andrej Pejic, posing shirtless and with his hair in curlers and was deemed too risque by the stores. Similar to pornographic magazines, this issue of Dossier was placed in a translucent sleeve making it impossible for customers to know what or who was on the cover.

Skye Parrott, Co-founder and Creative director of Dossier, suspects that this move will decrease sales of the magazine, though there is a greater issue at hand. The issue surrounds questions of gender roles and their impact on image.

“It’s a naked man on the cover of a magazine, which is done all of the time without being covered up, so I definitely don’t think it merits this, but I understand what it is,” Parrott expressed to HuffPost Style that it’s the cover’s play on gender roles that makes it unique.

This left people the lingering question: is there a double-standard when it comes to public displays of men vs women sexuality? If a broad, masculine male is able to appear bare-chested, why not an androgynous male? According to the Barnes & Nobel and Borders, are concerned that people may confuse Pejic with a woman.

On HuffPost Style’s comment box, readers seemed quite divided by the issue. Some brought up the debate of censorship as a whole in relation to the “porn vs. art” debate. Some also commented on Pejic’s figure, raising questions of anorexia and body image for both males and females. One reader seemed to justify the bookstores’ concern with public confusion by expressing that the cover is disturbing “only because she’s flatter than a board”. Another (hereinmiami) aruged that “there’s nothing scary about people whose gender does not happen to fit into our society’s two narrow definition­s”.

This issue can be looked at from a multitude of perspectives:  one raises the question of masculinity’s role in society – the action of the bookstores can be interpreted as being unaccepting of an image that goes against the typical rugged and muscular male figure. By censoring the cover, they send the message that there is something about Pejic’s image that people should feel uncomfortable about.

On the flip side, it can also be said that censoring a male’s image is a step towards parallel gender standards. Like on a cover with a female that requires censoring, Pejic being censored could also represent the fact that bookstores are choosing to censor an image that may make people feel unsettled, regardless of the model’s gender.

In my opinion, the actions of the bookstores reflect society’s discomfort with those that go against social norms. Even if the bookstores themselves have no personal issue with an androgynous male on the cover, their reasoning was that they felt that it may make their customers unsettled. This implies that they thought that their customers would be unaccepting of this counter-gendered photo. While I understand their justifications, I hope that people can grow to accept changes such as this in the way genders are viewed. Personally, I’m a huge fan of androgynous models because of their versatility to fit into whatever situation they’re put in; not just one typical role.

What’s your opinion? Are the actions of these bookstores justified? Should they be able to censor a male who may resemble a female? Or are they too caught up with the concept of ‘masculinity’ and gender roles? Leave us a comment!

Image via cocoperez.com
Source: HuffPost Style

^SK

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